
There's excitement in the air, simply because it's October. Now, I understand that many of you do back flips when the chilly wind blows a yellowed or reded leaf into the palm of your hand. That's not why I love October. I also understand that some of you can't wait to don the mask of your favorite superhero, the dress of you favorite Disney princess (or french maid), and proceed to pan handle for your next cavity. Granted that none of my readers are children, I'm slightly disturbed. But I guess if I really thought about it, and given guts and the chance, I would put on a yellow and red racing helmet and fire retardant Onesie with a giant #22 and knock on doors. When they ask what I am (in the midwest or south, they would just beat me up #JrNation) I will say with confidence, "I am the next NASCAR champion!". And when they say "haha you wish", or "aren't you a little old for this?", I would have to slump and agree. But no. That's not why I love October.
October, for some reason, is the hallowed month that many artists, across all genres drop their new albums...er...mp3s. At a time when I've been DESPERATE for some new music both my favorite bands seemed to have bugged my apartment. Or at least my jogging route. Switchfoot has "Vice Verses" and Downhere has "On the Altar of Love". Christmas came early!
I know I'm the only one in the world with this problem, but sometimes it takes a second to let go of the favorite anthems and embrace the new stuff. My way of getting into the music is to NOT put it in iTunes straight away. Instead, I put it in my car's CD player and just listen to that new album until I've had enough. That used to work REALLY well, but now that I'm a sophisticated yuppie, NPR competes for the attentions. Okay okay. The A.M. all comedy channel does too. Guess I'm not so sophisticated.
As October is almost gone, there are dents, small dents, left by the new music. In the past, when a new album dropped, it assaulted me, knocked me out, and revived me, all at the same time. But not this time. The new music is good, great even, but it wasn't speaking to me yet. As Jon Foreman explores spoken word and robotic melodies, and as Jason Germain hits notes only Marc Martel should dream of, I ached for the impact. And some songs hit me right away (Afterlife and Dark Horses on "Vice Verses" & Let Me Rediscover You on "...Altar..."). But the rest were taking their sweet musical time. Still born.
And so I bought tickets to their shows. The first time in a long time I would be showing up at a Switchfoot show or Downhere concert without knowing almost every word to every song. But it gave me a fresh perspective and the blank slate was colored by live music. In the past, when new albums dropped I was always in some kind of transitional semi-crisis state. School had just started. I had just spent a summer in Greece/Africa, I had just moved to Michigan, there was 2 feet of snow on the ground before Thanksgiving, I had just moved back to California and got reacquainted with my hot friend, The Sun. The new music was an anthem to my new lives. This October? Well. Not so much. And don't get me wrong, I'm tired of packing up my life every 9 months, 2 years, or so. I crave stability and all that comes with it, peace of mind, etc. But that meant that the sound of the songs had to reach deeper to find a track to my life. It took live music to get me there. The concerts performed surgery on my heart.
The songs now sound in technicolor. They came alive, slapped me up where I needed it, built me up where I needed it, encouraged, soothed and made me smile. The songs sound with meaning. And as God takes the hands and voices of the servant artist and crafts a Gospel, they heed His voice and deliver it to the masses. And with plastic and laser, or with mp3 and click wheel, Matthew 28:18-20 becomes a musical. As nature cycles and begins to Autumn, as leaves fall, as snow falls, or rain falls, or nothing falls, the music comes alive and baptizes me all over again. I love October.
- Fidi
www.switchfoot.com
www.downhere.com





